Graduate Choral Conducting Recital Document

dc.contributor.advisorSilantien, John
dc.contributor.authorAnderson, Karli
dc.contributor.committeeMemberMabry, Gary
dc.contributor.committeeMemberWickman, Ethan
dc.date.accessioned2024-01-26T16:48:02Z
dc.date.available2024-01-26T16:48:02Z
dc.date.issued2017
dc.description.abstractThis research project explores three genres of choral music performed in recital. The first chapter discusses the practical challenges that occur when rehearsing and performing Renaissance music. Particular attention is paid to notational problems and how editors chose to resolve them. Excerpts from Palestrina’s Sicut cervus are used to illustrate these different solutions and detail their viability. The second chapter explores the history behind Franz Schubert’s Ständchen, and the circumstances that created two versions of the same piece. It then examines Schubert’s compositional style by comparing and analyzing these arrangements. The final chapter details the inner workings of the Venetian ospedali, as well as Nicola Porpora’s role within them. It ends with a look at Porpora’s Lauda Jerusalem. This analysis includes a detailed list of the factors that make the piece a learning tool for young female singers.
dc.description.departmentMusic
dc.format.extent34 pages
dc.format.mimetypeapplication/pdf
dc.identifier.isbn9781369776478
dc.identifier.urihttps://hdl.handle.net/20.500.12588/2519
dc.languageen
dc.subjectConducting
dc.subjectPalestrina
dc.subjectPorpora
dc.subjectStandchen
dc.subject.classificationMusic
dc.titleGraduate Choral Conducting Recital Document
dc.typeThesis
dc.type.dcmiText
dcterms.accessRightspq_closed
thesis.degree.departmentMusic
thesis.degree.grantorUniversity of Texas at San Antonio
thesis.degree.levelMasters
thesis.degree.nameMaster of Music

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