Casta paintings revisited: The case for single-panel analysis and artist agency

dc.contributor.advisorEckmann, Teresa
dc.contributor.authorCoates, Alana Jean
dc.contributor.committeeMemberOlton, Elizabeth
dc.contributor.committeeMemberSobré, Judith
dc.date.accessioned2024-02-09T20:17:58Z
dc.date.available2024-02-09T20:17:58Z
dc.date.issued2012
dc.descriptionThis item is available only to currently enrolled UTSA students, faculty or staff. To download, navigate to Log In in the top right-hand corner of this screen, then select Log in with my UTSA ID.
dc.description.abstractThe objective of this thesis is to question the dominant theory that casta paintings depict a social hierarchy in which Spanish superiority is emphasized. Comparing the recent scholarship in the field to a single-panel casta painting by Ignacio María Barreda, I explore the possibility of communal unification rather than social degeneration of the castas class. Formal analysis of the visual elements in this single-panel casta painting suggests that previous scholarship has given inequitable weight to the labels of miscegenation, an analytical approach that has resulted in narrow interpretations of casta paintings. This investigation into casta paintings places priority on the visual aspects first, and explores the linguistic history of the associated text second. Why does negative and demeaning nomenclature in these paintings not correlate with the visuals? It is my contention that because the painters of this genre exercised artistic agency and because they were of Native and African ancestry themselves, it is unlikely that they would have intentionally portrayed a detrimental self-image of the castas class, as has been the prevailing theory. This analysis further examines seventeenth century Dutch visual traditions to include genre paintings, prints and civic descriptions, cartography and costume illustration in relation to casta paintings; the former sources lend support to my thesis that casta paintings emphasize casta pride, a sense of community, and even humor, over Spanish superiority.
dc.description.departmentArt and Art History
dc.format.extent202 pages
dc.format.mimetypeapplication/pdf
dc.identifier.isbn9781267842602
dc.identifier.urihttps://hdl.handle.net/20.500.12588/3053
dc.languageen
dc.subjectCasta Painting
dc.subjectIgnacio Maria Barreda
dc.subject.classificationArt history
dc.titleCasta paintings revisited: The case for single-panel analysis and artist agency
dc.typeThesis
dc.type.dcmiText
dcterms.accessRightspq_closed
thesis.degree.departmentArt and Art History
thesis.degree.grantorUniversity of Texas at San Antonio
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts

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