Evolution and revolution: El Greco's Byzantine roots in his Spanish painting

dc.contributor.advisorSobré, Judith
dc.contributor.authorEdwards, Jacqueline A.
dc.contributor.committeeMemberSherer, Scott
dc.contributor.committeeMemberPeers, Glenn
dc.date.accessioned2024-02-09T20:48:51Z
dc.date.available2024-02-09T20:48:51Z
dc.date.issued2011
dc.descriptionThis item is available only to currently enrolled UTSA students, faculty or staff. To download, navigate to Log In in the top right-hand corner of this screen, then select Log in with my UTSA ID.
dc.description.abstractEl Greco's earliest known works are three icons he completed in Crete in the traditional late-Byzantine style; aesthetic characteristics of which were carried into the execution of many of his later commissioned paintings as a famed artist in Toledo. It is the intention of this thesis to illustrate specifically which elements of El Greco's icons were carried into his later works by comparing each authenticated icon to a number of his Spanish paintings that contain particularly Byzantine traits in spirituality, theme, and style.
dc.description.departmentArt and Art History
dc.format.extent1 pages
dc.format.mimetypeapplication/pdf
dc.identifier.isbn9781124628134
dc.identifier.urihttps://hdl.handle.net/20.500.12588/3308
dc.languageen
dc.subjectByzantine
dc.subjectChristianity
dc.subjectEl Greco
dc.subjectMannerism
dc.subjectOrthodox
dc.subjectRoman Catholic
dc.subject.classificationArt history
dc.titleEvolution and revolution: El Greco's Byzantine roots in his Spanish painting
dc.typeThesis
dc.type.dcmiText
dcterms.accessRightspq_closed
thesis.degree.departmentArt and Art History
thesis.degree.grantorUniversity of Texas at San Antonio
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts

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